viers clocks back in on figure duty, showing up with up for another strong statement of his unmistakenly singular style. here he is working it from all angles: straight up and searingly stoic techno opener let my mind breath is grinding away grittily, while things turn surprisingly bouncy, as genesis dishes out electrifying boom-bap-breakbeats, transporting imagery of neo-futuristic tokyo streets. as night sets in, so does the kinetic groove of oyasumi, which twirls layers of energetic movement into a thick current, zooming through the citys deep gorges of concrete and fiber glass. closing track data entry 4590 finally provides some soothing ambient tones of melancholic longing, inviting to slowly drift away into white-washed nothingness and process the bright color storm that viers lets unfold on this intense record.

slang is a new perspective on the rich collaborative e orts that unite dj deep & roman poncet. over the last two years, their studio work has resulted in an eclectic myriad of productions. may it be on rekids, on tresor records as adventice, on desire as sergie rezza and now as slang, their music is always unfamiliar and far-reaching into di erent sources of inspiration. afro percussions, dubbed out processing, field recordings and house chords come together under the form of these poems, contemplative at times and measured at others.

snaker under chari chari and a missing myth of the future as kaoru inoue were his latest albums back in 2013. time has come to finally celebrate his much awaited return with the exquisite em paz lp. a celestial ambient collection that will drive us through a beautiful imaginary place where the quest for peace is central. in fact, all kinds of peace. em paz will spontaneously make you seek for some brian eno or jon hassell albums because it emerges from that same timeless place. a very strong conceptual and listening album from the beginning to the very end.

nerang recordings first vinyl release showcases the talent of 4 producers who follow no rules on the studio. iok’s, i want to be with you (and a couple of others) is a lush track filled with emotion to set you on any roller-coaster. straight after that, we have dj safeword taking us to the darker side, literally, with his track hell. grey people’s lizard man dance is a hard hitting floor mover, for anyone with feet on their ankles. future dz came to the party with bongo 2cc, sure to start or or finish any night. put your seatbelt on, it’s time to get bumpy

der norwegische electro-pop-künstler gundelach hat bereits mit seiner debüt-ep und dem song games feat. ary auf sich aufmerksam gemacht. sein verletzlicher singer/songwriter-style auf soft elektronischem klangteppich lässt vergleiche mit james blake oder jamie woon durchaus zu. das debütalbum -baltus- nahm er zwischen oslo und london mit knut sævik (mungolian jetset), john calvert (ghostpoet, nao) und oyvind mathisen (cezinando, nils bech) auf. erste singleauskopplung ist das wundervolle duck hunting, ein analog elektronisches stück in nordic-noir atmosphäre, eindrucksvoll abgerundet mit gundelachs bon iver-eskem falsetto.

brainfeeders thundercat veröffentlicht neue version seines gefeierten albums drunk auf lila 2x12 lp (inklusive downloadcode)! brainfeeder präsentiert einen besonderen chopped not slopped-mix von thundercats unglaublichem album drunk (2017) von dj candlestick und og ron c vom legendären houstoner dj-kollektiv the chopstars. da verlangsamt und zerhackstückelt, wurde der mix passenderweise in drank umgetauft. erstmals tauchte dieser mix im vergangenen jahr online auf, als inoffizielle hommage an das von allen seiten vielfach gelobte dritte werk des virtuosen bassisten.

so low is an occasional night in glasgow run by iona fortune, jd twitch, katie shambles and becky marshall. so low is strictly for creatures of the night and plays music that could perhaps be described by the words dark waves / cold waves / minimal synthesis / maximal industrial / lo-nrg / forgotten flemish goth bands, teutonic apocalyptic beats +++ it is now also a label, administered by optimo music. the third release on so low is a 5-track ep from ian hicks, formerly one half of soft metals. ian also appeared on our “now & then” compilation ep. here he commands his own release and sets the synths to stun with 5 tracks of analogue waves ranging from the xtc bliss out of “character collapse” and “depths of psyche” to the shockwave klang of “chemical environments” and “specter”, perhaps leaving the very best to last with the ultimate hypno, sex slug groove of “continuous”. subliminal vocals. wrecked drum boxes. synths spiralling. full colour picture sleeve designed by so low collective member and acclaimed glasgow artist katie shannon.

2x 12 from the upcoming kimosabe kimosabe is folamour and marc-antoine bianco extract of the live video

e-missions next release comes from australias tred, featuring four cosmic bangers entitled intrinsic field ep with a breakbeat remix from safer at night co-founder lawrence lee. based in berlin, tred aka ed treleavens debut release on e-missions follows label founders p.leone and caiazzo. intrinsic field ep captures his love of hardware instruments and propels the listener into a world of ratcheting drums, celestial pads and acid bass lines. fuelled by a fascination with science fiction and a penchant for straight-up electro, tred brings a refreshing take on the genre and a unique approach to retro futurism.

louisiana soul singer bobby king first recorded as a solo artist in 1973 for the reprise label where he also sang for ry cooder. in 1981 he switched to the main warner brorthers imprint and recorded what has become for soul fans a most highly regarded self-titled album. “if you don’t want my love” became a single, an original pressing for this ‘modern’ dancefloor record recently onsale for £300. it is coupled with an exceptuional track from the album “lovers by night” not previously available on 7” vinyl.

das mixen von östlicher avant-elektronica sowie krautrock mit jazz und bossa nova ist charakteristisch für cornelius musikalisches schaffen. seine karriere startete er als gründungsmitglied der band flipper’s guitar, die das in tokio entstandene genre shibuya-kei maßgeblich prägte. es folgten weitere veröffentlichungen, durch die er auch international große anerkennung erlangte: der -moderne brian wilson- oder japanische gegenpart zu beck oder the beastie boys waren nur einige der vergleiche, die in der presse sowie von kritikern gezogen wurden. cornelius live-shows gelten weltweit als einzigartig und sind bekannt für spektakuläre visuals, die perfekt synchron zur musik gezeigt werden. er feierte erfolge als produzent für filmmusik und wirkte unter anderem bei auftritten von yoko ono’s plastic ono band oder dem yellow magic orchestra mit. schwarzes 180g vinyl im gatefold.

lagaffe tales co-founder jónbjörn drops four tracks on icelands falk records beat driven sub-label, falk disks. since 2008 falk (fuck art lets kill) has become a creative hub for icelandic and international artists involved in experimental and electronic music, spanning noise rock through to power electronics, underground hip-hop to diy techno and electro. 2017 saw falk continue with releases from icelandic hip-hop producer lord pusswhip, techno/electro producer thizone and canadian industrial techno musician /&#991,,,/huren/&#991,,,/. berlin based icelandic producer jónbjörn, known for curating reykjavík record label lagaffe tales – one of the main pillars in the icelandic house scene – now joins falks’ club focused sub-imprint with a robust four tracker. moving away from the deep house sound hes renowned for towards a darker and leaner night time aesthetic, amsiak inaugurates the release with an infectious electro groove as gurgling pings and acidic clangs and drones are liberally dropped throughout the track. aspekte is a spacious track with blown-out bass sounds that morph and glide across a tempered, slow burning planar rhythm. on the flip, jonbjörn goes for a harder techno sound influenced by his relocation to berlin. sunnudagskaffi is a bendy, 4/4 roller that contains hidden grooves below the basslines and the acid pings that wouldnt be out of place on a livity sound release. meanwhile, holy b is pure warehouse creeper techno, complete with machinic tones and the atmospherics of sweat and grime on dungeon brick walls.

limited edition of 300 copies on 180 gram vinyl with download code included.
creta is a new trio of artists coming from very different backgrounds: roberto zanisi is a finger picking guitar player and a virtuoso on strings of all kinds, including “exotic” instruments like the turkish cümbüs, the greek bouzouki or the albanian cifteli. since 2003 he has been active in many contexts: he worked with giovanni venosta producing sound tracks for silvio soldini’s movies, took part as soloist musician in steward copeland s tour “la notte della taranta (night of tarantula)”, played with the american musician amy denio and performed with sainkho namtchylak. luciano lamanna’s main characteristics are experimentation, analog synths, vinyl and a big love for techno. in 2015, the resident dj at ex dogana, roma and member of the italian artist collective lswhr launched the modular synthesizer project balance (with davide ricci), and in 2017 he released the album “divus” with zu member luca t. mai, to name a few of lamanna’s many releases on labels like earache, boring machines, scuderia et.al. and, last but not least, there is massimo pupillo, highly acclaimed bass maniac with zu, laniakea and in countless other constellations (a.o. peter and caspar brÖtzmann, fm einheit, chris corsano). as creta, they create outlandish sonic pieces that blend sci-fi ambient atmospheres with dark bass pulses and bucolic-mediterranean string instruments – an unique and yet coherent mix of elements that adds consequently to the oeuvres of the three artists!

keyfacts: zwei schwarze heavyweight lps in wide-spine sleeve inklusive mp3-donwloadkarte
dj, produzent und labelchef george fitzgerald veröffentlicht sein mit spannung erwartetes neues album „all that must be“! -all that must be- wartet mit hochkarätigen kollaborationen mit lil silva, bonobo und tracey thorne auf. es beleuchtet 18 lebensverändernde monate in denen fitzgerald den vielbeschworenen hedonismus der deutschen hauptstadt hinter sich gelassen hat, um ein leben als frisch gebackener familienvater und produzent in london aufzunehmen. mit einem faszinierenden musikalischen erzählbogen vereint er die unterschiedlichsten emotionalen zustände und injiziert seiner musik eine tragische pop-note. drama trifft frohsinn. nachdenklichkeit tanzt mit ausgelassenheit. ein ausbalancierter longplayer, der im clubnebel genauso funktioniert, wie bei einer nächtlichen autofahrt durch verlassene bezirke einer x-beliebigen großstadt dieser welt.

keyfacts zwei gelbe heavyweight lps in wide-spine sleeve mit exklusivem artwork und mp3-donwloadkarte
ltd edition! dj, produzent und labelchef george fitzgerald veröffentlicht sein mit spannung erwartetes neues album „all that must be“! -all that must be- wartet mit hochkarätigen kollaborationen mit lil silva, bonobo und tracey thorne auf. es beleuchtet 18 lebensverändernde monate in denen fitzgerald den vielbeschworenen hedonismus der deutschen hauptstadt hinter sich gelassen hat, um ein leben als frisch gebackener familienvater und produzent in london aufzunehmen. mit einem faszinierenden musikalischen erzählbogen vereint er die unterschiedlichsten emotionalen zustände und injiziert seiner musik eine tragische pop-note. drama trifft frohsinn. nachdenklichkeit tanzt mit ausgelassenheit. ein ausbalancierter longplayer, der im clubnebel genauso funktioniert, wie bei einer nächtlichen autofahrt durch verlassene bezirke einer x-beliebigen großstadt dieser welt.

gitanes is olde gods new ep and longest output to date. following a series of singles on the minor planets label, the barcelona duo are up to a 12inch four-tracker on amsterdams atomnation. gitanes brings echoes from spains not-long gone golden club era. its cover depicts an abandoned club from the 90s in a coastal town in the mediterranean, could be anywhere from valencia to barcelona. all four tracks are trippy yet solid-grounded, spacey voices and strings leads all flying up and magically suspended over gross rhythmical foundations. dear cz, a fetiche track, built around a moody casio cz synth stab topped up with acid videogame-like crazyness. gitanes brings entrancing vocals intertwined with more cz pad action. all around is a foggy and paranoid late-night drive, and none of these bitches, a homesick folks walk around tokyos daikanyama area. olde gods are jmii and guillamino

tape archive all star va - strictly dancefloor.

the first release on black wattle comes from sydney talent thomas gray. the ep, ‘never far enough, sits somewhere between a record for home and a record for the dancefloor. part ambient, part spacious percussion, toms ep has the ability to relax you after a long day or keep you moving into the night. it is also toms first time being pressed on wax.

versatile parisian jay ka, offers a slow dripping slice of deepness to the saft following. with the help of paula king on vocals, title track only grace is a reminiscent anthem with strong vocals supported by lush chords and smokey rhode hits. as a real single should, this package also offers 3 interpretations of the original. with remixes by briton ny*ak and atlanta situated kai alce, this saft output should grab your full attention easily. where ny*aks rework maintains a more repetitive vibe with nicely timed vocal cuts, kai alces late night interpretation recalls classic vocal-house reworks from the glory days of extended 12inch mixes. as usual for a complete single like this, an instrumental version of kai alce s rework is included.

ltd 2018 repress - gay marvine (pronounced gay marveen) is back once again proving his limits are far beyond most, this time exposing the deeper hedonistic elements hidden deep within pop music. what emerges through his filter of reshaping and repurposing and incredibly fine ear for pacing is 4 perfectly distilled late night jams, a magick far beyond anything aleister crowley could conjure. this is the 10th volume of the secret mixes fixes series, in our never ending quest to show unique sides to late night classics, forgotten gems and things so obvious you may already be sick of them, but you arent when you hear gay marvines take on it. we are further expanding this concept in the future with some even cheekier choices for the next fix records and a brand new sub-label to represent gay marvines burning disco side, bathhouse etiquette. the bathhouse etiquette eps will showcase the many facets of gay disco as seen through gay marvines eyes. you have been warned.

heiß erwartetes debütalbum der achtköpfigen popformation. superorganism sind in london längst talk of the town und werden nicht nur von englischen medien wie nme, fader, clash oder eben auch bbc radio 1 als eine der wichtigsten musikalischen neuentdeckungen für 2018 angesehen. auch in deutschland ist man längst ins super-abgedrehte superorganism-universum eingedrungen. ihre single something for your m.i.n.d. avancierte auch hierzulande zum indie-hit und schaffte es auf die wichtigsten radio- und spotifyplaylisten. die stets geschmackssichere 1live plan b musikredaktion nahm superorganism in die reihe der wichtigsten 1live-plan b-newcomer für 2018 auf.

heiß erwartetes debütalbum der achtköpfigen popformation. superorganism sind in london längst talk of the town und werden nicht nur von englischen medien wie nme, fader, clash oder eben auch bbc radio 1 als eine der wichtigsten musikalischen neuentdeckungen für 2018 angesehen. auch in deutschland ist man längst ins super-abgedrehte superorganism-universum eingedrungen. ihre single something for your m.i.n.d. avancierte auch hierzulande zum indie-hit und schaffte es auf die wichtigsten radio- und spotifyplaylisten. die stets geschmackssichere 1live plan b musikredaktion nahm superorganism in die reihe der wichtigsten 1live-plan b-newcomer für 2018 auf.

born in poland and now operating out of the ever-effervescent london, the adoptive city where she’s learnt the ropes of music production and djing, anii – real name ania iwinska – has lived many lives in one. yet if one thing’s remained a constant over the years, no matter the harshness of the obstacles life threw at her, it’s indeed a deep and inextinguishable love for music, be it behind the mixing desk at wired studios or in her own shoreditch workroom, the key place where she’s kept honing her skills with unfazed diligence, up to the point of making it her actual second home. a&#324,,,,,,,,ii lands her debut transmission on kompakt and surely not the last. named after the polish word for ‘roots’, ‘korzenie’ finds ania threading her way in between subtle deep-house and techno folds, delving into the essential strength of her past and present to carve out an hypnotic maelstrom of traditional polish music strings, tribal percussions and elegiac melodies. coupling eerie ostinatos with stealthy bass moves, it’s an ode to the magnitude of memory and power of resilience that reels out, blurring the line between late night club environment and further spacious, moony soundscapes.

milan, italy, 1983. in the midst of the 80s economic boom, which gave an injection of optimism after the heavily political 70s, a group of young local musicians meet every night in a basement to rehearse and record a peculiar breed of italian disco music. originated from the ashes of various other projects, and rooted in the broader jazz-funk tradition, the group creates music which is equally inspired by contemporary fusion as well as by the first wave of the italo-disco sound. over approximately 3 years the band has recorded and played live, until the dismantling of the project towards the mid 80 s. fast forward 35 years and the genuinely mediterranean flavor of qvark s demo recordings are still enjoyable, both for the actual resurgence of the italian disco tradition and for the groovy quirkiness of a project which has been too long forgotten. after an intense work of audio restoration of such tapes, heavily affected by time, early sounds is pleased to present a compilation which is an important find to define the sound of late 70 s and early 80 s italian club sound.-

echovolt is thrilled to finally bring you the work of the first greek producer on their growing reissue catalog offering two ultra-rare recordings that lived on the shelf for exactly two decades. the then 16-year old starcount recorded those two stripped-down cuts straight to dat tape in his bedroom studio in athens during the late 90s between cutting classes and sailing in the aegean sea. despite his young age both calma and jeraldine showcase top notch production skills with solid arrangements featuring the typical vocal samples of the period underlined by hypnotic melodies, jazzy chords and a densely populated pallet of drum hits. it is most likely that the above mentioned tracks might be the earliest detroit influenced productions ever made in greece around that time! suitable for night cruising and any kind of rides with friends and family!

internationally acclaimed dj, producer and label boss guy gerber has unveiled his dynamic new ep what to do. a producer known for his eclectic and melodic sounds, guys ep embodies a varied range of sonic arrangements that the israeli dj has become synonymous with, starting with the opener what to do. a deep, and cosmic production clad with cymbal-claps and a wide range of isolated percussive instruments, the title track features groove-fuelled vocals, offering a stark contrast to night of the gold diggers, guys punchy-house track which utilises high-pitched drum rolls and claps. with ep finale hummingbird blues focusing on percussive bass elements, instrumental chords sweep through a track underpinned by a gruff and distorted vocal. as a performer, guy gerber is consistently rated one of the best touring acts in dance music, earning a top 10 live performer nod three years in a row for resident advisor. launching in 2014, guys rumors imprint served as a home to guys colossal collaboration with dixon, no distance, as well as his crossover album with puff daddy, 11:11, which proved one of 2014s most startling and impressive lps. since then, the label has released music from the likes of seth troxler, dj tennis, chaim and more, and guy’s own standout releases secret encounters ep in 2016 and here comes the rain last year.

two of dance musics hottest producers coalesce on the latest hot creations release. frank storm and matteo spedicati bring us gimme tha honey, a throbbing three-track ep that gifts us with a rework from robsoul label boss phil weeks. frank storm reveals -this is our first collaboration which was born a year ago in our studio in barcelona. we share the same passion for our own definition of the ghetto sound, blending fresh and techy vibes.” with this inspiration they weave an almost menacing vocal into the pulsating bassline of lead track gimme tha honey. the phil weeks remix brings a slither of light with a shower of synths and warm, bubbling bass. the ep closes with the long wait shaking the record into heavier terrain, as the industrial keys are underpinned by a flurry of tough drums. frank storm has been a key player on the white isle having played at some of the island’s biggest clubs, space, sankey’s, pacha, ministry of sound and zoo project, as well holding down a residency at the night unusual suspects. matteo spedicati began releasing music in 2006 and has received support from ricardo villalobos and richie hawtin. since then he’s gone on to work with such high profile names as joseph capriati and mendo, as well as releasing records on an abundance of top labels.

bar 25 music proudly presents this 12inch-ep from benno blomes forthcoming album >night shots<, including three remixes. remixed by dachshund from geneva and tigerskin from berlin, >white flag< is a deep tune, full of 909 drum sounds with a reduced melodic synth-line that sidles seductive through its performance. >we come in peace<, is pitched way down in dachshunds fantastic mix. in tigerskins version, it disappeared, instead layering the hook line into a warm, dubby groove monster. >spherical aberration< goes deep, yet remains pretty club-compatible in its original version. it has found a superb remix by jiggler from berlin. he is also known as one half of channel x, and is pushing the theme into its boundaries and is capable to set any floor on fire. this 4-track-vinyl ep is a preview in reference to bennos full length album >night shots<, to be released in february 2018, also on bar 25 music. stay tuned...

deep club resident dj and head strobe controller lone dancer marks our label s 4th entry with his first solo 12- on vinyl. after finishing two quality tape albums in 2017 already for jacktone and always human tapes, -house is a tunnel- arrives packed with 4 club-ready jagged tekno bangers and one cut for the chillout room. side a - communication: the title track is a sure-fire party starter centered around a thick kickdrum and a repeating synth rhythm laced with weird percussion and synth stabs trickling through the texture. next, -po12-3- combines crisp claps, hats, and a central synth theme that calls for an intergalactic rave. -colony dwelling- kicks off the transportation side, taking our extraterrestrial dancers to a new dimension steeped in fog juice and flangers. -floor- has a chill intro until it launches into a gritty track that throws broken kickdrums and distorted synths in every direction. finally, -night rain- puts the party to rest utilizng soft pads while hinting at moments from the night before. overall, -house is a tunnel- is a fitting dance-centric conglomeration of lone dancer s unique style of jacking techno, broken beats, and spaced out tracks that has set him apart in 2017. —ryan scannura

two unreleased recordings dug up by the team at numero group for their purple snow comp (get it), these were begging to be put on 45. recorded at audiotek studios inc in 1975. david z, who engineered lipps inc s -funkytown- and several prince productions, piloted both these recordings. get it on is the perfect end up night stone groove track, i can t recommend this record enough, buy it. another completely selfish venture, i just wanted this on 45.

another brace of bangers from world unknown music, we re all really pleased with how this one turned out. big and fat and disco-ready, mastered by andy blake and lawrie curvepusher via tape. side x theo nasa lstnbrghn world unknown and theo nasa first crossed paths in andres branco s vintage designer clothes emporium, wavey garms. . we re really chuffed to be releasing theo s vinyl debut. its a pounding big room monster inspired by his first experiences of a certain berlin nightclub. theo nasa will be a big deal sometime soon, there s no doubt about that. make sure you get on this now so you can tell all your mates how you have been into him for ages. side y traynor - sunward -can i send you some tracks to listen to? id love to get some feedback from you. not an especially odd request for a dj these days. but it s a very nice surprise when literally every track in an 8 track demo package from someone who has never put any music out before is brilliant. messrs bowley and blake had real trouble deciding which one to choose for traynors debut release and eventually went to sunward. its trippy and shimmering with a ton of pump. trancey but not trance, or maybe it is. the kind of thing that lights up your night in a club and gets played again and again at home or in the car

last summer during an evening spent with my friend dj topha, we came upon the everlasting subject of old versus new. i m finding so much great music right now, and not just digging back in time but exploring our own timeline geographically too, he said, the level of production these days is rising fast. you have to check out these snippets from a new label based in casablanca. not long after, in an interesting twist of fate, driss bennis and i began to exchange music: i shared his soundcloud for the first casa voyager release, and he sent me a promo copy which i played out a lot. it seemed only logical to ask him for music for basic moves. later that summer we met in paris for a convivial back to back at dawidu s shop, te iubesc records and sapology. it was as simple as that, and in a few weeks basic moves 04 was ready. night train and overseas blew me away by their quality - the tracks are retro-esque yet fresh, and stem from a loose approach to electro. their arrangements are very smart, not everything is revealed the first time round. the more you listen, the more you understand that the power of the tracks lies in the details. together with ailsa s artwork, stefan s cut and chris mixes the release fell so smoothly into place. i have come to realise how important it is for the scene to release recently produced music as well as treasures from the past. you can t build a community by only playing old records. it s about a combination, about finding gems that glide together. old and new. and for that, i think both these dj booth tracks really fit the bill.

with a brimming catalogue of music that operates in the more adventurous quarters of the techno music genre, a sagittariun preps his first release of 2018, with a remix disc of one the holy grail of tracks from one of the most endearing electronic acts of the 1990s. the sabres of paradise, aka andrew weatherall, gary burns and jagz kooner, released a clutch of acclaimed albums, singles and remixes between the years 1992 and 1995, when the trio disbanded. three albums for warp, remixes of the future sound of london, leftfield & lydon, bjork, new order and the dust brothers (aka chemical brothers), and not forgetting the now legendary smokebelch ii single, which must have soundtracked hundreds of thousands of sunsets and chillout after hours over the years, have left a huge treasure trove of a catalogue as part of their legacy. one production though has gone down in sabres folklore, since its release was limited to inclusion on one multi artist compilation cd album only, and it is this track, lick wid nit wit, that a sagittariun has unearthed, licensed and re-moulded, 25 years after it was produced, for release on his elastic dreams label.

leigh darlow and matthew bandy have got plenty of experience in the world of deep house, both individually and as saison. building on a solid run of releases for papa records, the project makes its vinyl debut on guesthouse with some undeniably catchy jams for the peak of the night. -please don t go- is a cool slice of party fodder that hinges on a classic soul vocal hit, while -do you- gets a little more choppy in the mix with yet more recognisable licks that should get the masses sweating and swaying without needing to resort to a hectic tempo. -the moody blues- lets the keys do the talking, while yet another of the hefty grooves saison craft so well rolls out underneath.

copenhagen s tartelet is returning to their roots with a dancefloor-focused ep, pizza trance, from dirk 81—a.k.a label head emil m. nyholm. having previously dropped a slew of tracks as muff deep and ctepeo 57 (with max graef), the dj and producer is blessing the universe with three cuts of dancefloor heaven under a new moniker lifted from his days tagging concrete walls in the 90s. influences draw everywhere from disco, to african hi-life, dub, underworld, a few old trance records, and timeless house music.

recorded over a year in berlin and copenhagen, the record kicks off with -m.f.c-, a disco-afro-house hybrid oozing with roland jupiter 6 keys and some funky drums processed on old equipment from the former ussr. the b-side spreads things deep and delicious with -pizza trance (main mix),- a euphoric serving of sounds that substitutes pepperonis and pineapples for glittering sequencers and a bangin bass drum.

the ep s closer tastes like a bit of both, mixing up some more acid sounds into the recipe for a retro-sounding house track. it s another tasty delight from the label that will fulfil any and all late-night cravings, especially if you fiend for neapolitan pizza.. leave room for seconds.

secret lover returns with one that hits all the angles, a record for the lovers and haters, the movers and the dancers? truly a record for the people! now let s say you re home by yourself, pour yourself a drink, pop on your house coat and lay down by the fire, let the tunes take ya over. could get spicy, know what i mean?

autodidact ventures into the area of jungle/dnb music with the first part in a series of two by selva massiva, a project by roger gerressen and alex jansen. on the b-side chris geschwindner takes both tracks and makes sure the ep is still suitable for dance floors with two excellent remixes.

three track ep of disco reworks. dj support: boogie cafe djs, dave harvey (futureboogie) christophe (futureboogie) jimmy the twin, neil diablo, corbi (melon bomb)

“the freaky things we do” and “all the freaks out tonight” are contemporary boogie tracks at its finest. with tim tucker on vocals and brian ellis on production these cuts have been dancefloor tested at original mikes in santa ana, cali alongside the funk freaks crew. out on star creature.

early support from jeff mills, psyk, angel molina, kr!z, amongst others. futuristic techno!

for our first release of 2018 and our 11th year in the game, we kick off proceedings with jicheal mackson. the highly in demand producer and live artist drops another forward thinking offering on our imprint. on the a side he delivers carneval, its an underground disco themed cut with hypnotic highs, a groovy bassline and intricate drum programming that evolves through out, vocal murmurs add to the ambiance and complete this winner. jichael switches things up on the b side (vinyl only) with odyssey, this is a more stripped down and trippy affair with break beat drum programming merged with 4/4 swing, white noise slashes and drones set the mood for dark little number. on b2, he lifts the mood with kraut, a more upbeat offering, driven with a bouncy bass groove and intermittent lush pads he creates another groovy master piece perfect for a late night dance floor. this ep truly shows the diversity and talent of jicheal mackson and confirms serialism never ending quest to deliver quality underground music...

bout time we release another long-player, right? right. seven tracks of straight disco-flecked, hip-hop-laced, mpc-orchestrated pulsating house. house that s speeding down the highway at ninety in the middle of the night, house that s a packed dance floorundulatingin a heavy cloud of fog, house that s fast-forwarded time-lapse video tours through new york, tokyo, paris, london. throw gaspar noé s enter the void in the dvd player, double the playback speed, mute the audio, play vinum over it on repeat, and then some of the above will make sense, come into focus. or maybe it won t, but we know you ll have a hell of a time doing it.

khalab has arrived onthecorner with ‘zaire’. ‘zaire’ is the beginning of a new narrative for the artist. in this first chapter khalab creates urgent compositions with layers of sound from the past, present and future. ‘zaire’ is underpinned by an intensely pounding heart of other-worldly percussion. the collaged loops frenetically jab in syncopation breaking off when the inherent swing casts its discrete groove to summon the dance. unrelenting waves of synthlines, basslines and rhythm find harmony amongst the melodic chants and distortion.

remastered reissue on heavyweight 180 gram vinyl of david bowie’s 1979 album.

turbolenz is a new label from offenbach run by philipp lenz aka delenz. the first label s release comes from shayde, the brain child of delenz and his partner richard hötter. titled „ama il buco- (italian natives get the joke here), it features a very diverse spectrum of sounds and moods. „ama il buco- a slow grower and steady groover that will get many bodies moving and is some ready-to-get-naked material for sure. „kühlschrank in f-moll- is a rather dreamy, yet positive and escapistic affair. insert your favourite sunrise after a long night out here. the flip side starts with a remix by none other than swayzak, the mighty tech house duo from london. their take on „ama il buco- is a crisp and cool peak time affair for a moment of contemplation – if that makes sense. the last track „ofwebach- is obviously an homage to delenz home town offenbach. apparently a more uptempo and experimental terrain, „ofwebach- is something else. all in all, the result is a rock-solid 4-track debut release on turbolenz or as they say in offenbach and frankfurt: megastabiles ding.

go! finger returns to the vinyl grooves again! and this time showing a more dramatic and darkest side. holland s underground legends das ding and dj overdose, join forces, for the first time, to deliver am/pm. a puzzling split release composed of two pairs of gloomy, sinister and hard to classify gems of the finest west coast electro. absolutely remarkable. a delightful and state of the art chiaoscuro of todays freshest dark electronics

betty wright is a 64 year old american soul and r&b singer and songwriter, who rose to fame in the 1970s with hits such as -clean up woman- and -tonight is the night-. like aretha franklin, betty was blessed with a four octave voice range and is adept at using the whistle register. pressing on 180 gram audiophile vinyl.

neon finger starts a brand new vinyl line (nfe). javi frias (night shift records owner also in charge of discotizer at marula café madrid) takes care of the first 7&#8243,,, reference, entitled -feel your soul-, featuring 2 tracks filled with armloads of groove.